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This is a lovely version of the famous reel.

McKenna hits on a great melodic take on it with some very nice rhythmic 'flutey' devices in the second part where he's hoping between low Bs and second octave notes. He's also playing very fast while maintaining a great pattern of articulation that carries it all along. His rolls are brilliantly articulated and percussive.

Clearly, this version is different than the session-grade standard as, among other features, it doesn't go to the long F sharp at the start of the second part thereby bringing it into the key of D major. In this way it is similar to a few of the old piping versions as played by Seamus Ennis and Tommy Reck.

Going from the F sharps to the high A in the fourth bar of the second part is nice and distinctive, as is his hopping the last runs of the first and second parts up to the high octave. There's a wealth of great melodic intelligence and experience in his couple of minute's music.

In the clip below I play the sort of pulse McKenna employs to lay down the rhythm, then I play an approximation of the basic melody slowly then speeded up. Again, bear in mind that I tend to play more emphatically and with a different tone from McKenna in this regard.