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As for the first polka of this set, in the clip below I play the sort of rhythmic pulse pattern that McKenna employs to get his distinctive rhythm going through the melody as it might be done for the first part of this tune.

In the second bar of the second part we can hear how he pulses through the long, high F sharp. The effect is almost like a triplet in places, and he brings this out further on occasion with a tap of the finger.

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